Discover and understand the different Christian views of what heaven will be like. Christians from a variety of denominations and traditions are in middle of an important conversation about the final destiny of the saved. Scholars such as N. T. Wright and J. Richard Middleton have pushed back against the traditional view of heaven, and now some Christians are pushing back against them for fear that talk about the earthiness of our final hope distracts our attention from Jesus. In the familiar Counterpoints format, Four Views on Heaven brings together a well-rounded discussion and highlights similarities and differences of the current views on heaven. Each author presents their strongest biblical case for their position, followed by responses and a rejoinder that model a respectful tone. Positions and contributors include: Traditional Heaven - our destiny is to leave earth and live forever in heaven where we will rest, worship, and serve God (John S. Feinberg) Restored Earth - emphasizes that the saved will live forever with Jesus on this restored planet, enjoying ordinary human activities in our redeemed state. (J. Richard Middleton) Heavenly Earth - a balanced view that seeks to highlight both the strengths and weaknesses of the heavenly and earthly views (Michael Allen). Roman Catholic Beatific Vision - stresses the intellectual component of salvation, though it encompasses the whole of human experience of joy, happiness coming from seeing God finally face-to-face (Peter Kreeft). The Counterpoints series presents a comparison and critique of scholarly views on topics important to Christians that are both fair-minded and respectful of the biblical text. Each volume is a one-stop reference that allows readers to evaluate the different positions on a specific issue and form their own, educated opinion.

It is traditional to think we should praise Abraham for his willingness to sacrifice his son as proof of his love for God. But have we misread the point of the story? Is it possible that a careful reading of Genesis 22 could reveal that God was not pleased with Abraham's silent obedience? Widely respected biblical theologian, creative thinker, and public speaker J. Richard Middleton suggests we have misread and misapplied the story of the binding of Isaac and shows that God desires something other than silent obedience in difficult times. Middleton focuses on the ethical and theological problem of Abraham's silence and explores the rich biblical tradition of vigorous prayer, including the lament psalms, as a resource for faith. Middleton also examines the book of Job in terms of God validating Job's lament as "right speech," showing how the vocal Job provides an alternative to the silent Abraham. This book provides a fresh interpretation of Genesis 22 and reinforces the church's resurgent interest in lament as an appropriate response to God.

One of the pioneers of popular music studies, Richard Middleton has made an important contribution not only to this particular field but also to the critical and cultural theory of music more generally. Sixteen of his essays, dating from the late 1970s to the present day, have been selected for this collection, most of them previously published but some of which are new. The musical topics vary widely, from Mozart and Gershwin to rock and rap, from music hall to blues and jazz, from Elvis Presley and John Lennon to Patti Smith and Mariah Carey. But throughout, the author is concerned to locate appropriate ways of understanding 'the popular', and suggests that this task is crucial to any critical musicology worth the name. In a substantial introduction, he places his own intellectual development in the context of the development of the discipline, offering his latest thoughts on the past, present and future of critical musicology and its place in the critique of modernity. The overall theme, 'musical belongings', is revealed as a key not only to the relationship between music and the politics of possession, but also, by extension, to the investments made by musicology, critical and other, in those politics.

2014 Word Guild Award (Biblical Studies) Named a 2014 Jesus Creed Book of the Year (Theology) Best Theology Book of 2014, Englewood Review of Books Best Book of Biblical Studies for 2014, Hearts & Minds Books In recent years, more and more Christians have come to appreciate the Bible's teaching that the ultimate blessed hope for the believer is not an otherworldly heaven; instead, it is full-bodied participation in a new heaven and a new earth brought into fullness through the coming of God's kingdom. Drawing on the full sweep of the biblical narrative, J. Richard Middleton unpacks key Old Testament and New Testament texts to make a case for the new earth as the appropriate Christian hope. He suggests its ethical and ecclesial implications, exploring the difference a holistic eschatology can make for living in a broken world.

What is the relationship between music and culture? The first edition of The Cultural Study of Music: A Critical Introduction explored this question with groundbreaking rigor and breadth. Now this second edition refines that original analysis while examining the ways the field has developed in the years since the book's initial publication. Including contributions from scholars of music, cultural studies, anthropology, sociology, and psychology, this anthology provides a comprehensive introduction to the study of music and culture. It includes both pioneering theoretical essays and exhaustively researched case studies on particular issues in world musics. For the second edition, the original essays have been revised and nine new chapters have been added, covering themes such as race, religion, geography, technology, and the politics of music. With an even broader scope and a larger roster of world-renowned contributors, The Cultural Study of Music is certain to remain a canonical text in the field of cultural musicology.

Pontiac's War: Its Causes, Course, and Consequence, 1763-1765 is a compelling retelling of one of the most pivotal points in American colonial history, in which the Native peoples staged one of the most successful campaigns in three centuries of European contact. With his balanced analysis of the organization and execution of this important conflict, Middleton sheds light on the military movement that forced the British imperial forces to reinstate diplomacy to retain their authority over the region.

Spotlighting the Native American perspective, Pontiac's War presents a careful, engaging account of how very close to success those Native American forces truly came.

For much of the 17th and 18th centuries, European Americans and Native Americans lived in harmony as traders and hunters, sharing cultures, and even taking spouses and raising families. However, after 1760, relations broke down, and resulted in the conflict known as Pontiac's War (1763-1765). Much of Northeast America was plunged into turmoil, forcing the British into a radical change in imperial policy regarding the colonies, which then broke down in the build up to the American Revolution. Richard Middleton's Pontiac's War explains the who, what, when, where, why of the war that changed things between the native people and the European settlers, solidifying and sharpening the racial differences and attitudes, and foreshadowing a lot of the atrocities of American policy toward Indians in the 19th century.

How does popular music produce its subject? How does it produce us as subjects? More specifically, how does it do this through voice--through "giving voice"? And how should we understand this subject--"the people"--that it voices into existence? Is it singular or plural? What is its history and what is its future? Voicing the Popular draws on approaches from musical interpretation, cultural history, social theory and psychoanalysis to explore key topics in the field, including race, gender, authenticity and repetition. Taking most of his examples from across the past hundred years of popular music development--but relating them to the eighteenth- and nineteenth-century "pre-history"--Richard Middleton constructs an argument that relates "the popular" to the unfolding of modernity itself. Voicing the Popular renews the case for ambitious theory in musical and cultural studies, and, against the grain of much contemporary thought, insists on the progressive potential of a politics of the Low.

How does popular music produce its subject? How does it produce us as subjects? More specifically, how does it do this through voice--through "giving voice"? And how should we understand this subject--"the people"--that it voices into existence? Is it singular or plural? What is its history and what is its future? Voicing the Popular draws on approaches from musical interpretation, cultural history, social theory and psychoanalysis to explore key topics in the field, including race, gender, authenticity and repetition. Taking most of his examples from across the past hundred years of popular music development--but relating them to the eighteenth- and nineteenth-century "pre-history"--Richard Middleton constructs an argument that relates "the popular" to the unfolding of modernity itself. Voicing the Popular renews the case for ambitious theory in musical and cultural studies, and, against the grain of much contemporary thought, insists on the progressive potential of a politics of the Low.

Wars rarely turn out as expected. This book shows how Britain entered a conflict that it believed could not be lost. The American Patriots were similarly optimistic about their martial prospects. Although they eventually secured independence, it was only with the assistance of France and indirectly Spain, who diverted British resources from the conflict in America, allowing France eventually to deliver a knockout blow at Yorktown. This extensive yet accessible exploration into the War of American Independence provides a clear analysis of why this complex conflict occurred and why it ended as it did, revealing the fragile nature of the American Patriot cause. An essential guide for any history student, including those specializing in war/peace studies and the study of international relations, as well the general reader with an interest in the study of war.

What is the relationship between music and culture? The first edition of The Cultural Study of Music: A Critical Introduction explored this question with groundbreaking rigor and breadth. Now this second edition refines that original analysis while examining the ways the field has developed in the years since the book's initial publication. Including contributions from scholars of music, cultural studies, anthropology, sociology, and psychology, this anthology provides a comprehensive introduction to the study of music and culture. It includes both pioneering theoretical essays and exhaustively researched case studies on particular issues in world musics. For the second edition, the original essays have been revised and nine new chapters have been added, covering themes such as race, religion, geography, technology, and the politics of music. With an even broader scope and a larger roster of world-renowned contributors, The Cultural Study of Music is certain to remain a canonical text in the field of cultural musicology.

The first biography of Charles Cornwallis in forty years-the soldier, governor, and statesman whose career covered America, India, Britain, and Ireland Charles, First Marquis of Cornwallis (1738-1805), was a leading figure in late eighteenth-century Britain. His career spanned the American War of Independence, Irish Union, the French Revolutionary Wars, and the building of the Second British Empire in India-and he has long been associated with the unacceptable face of Britain's colonial past. In this vivid new biography, Richard Middleton shows that this portrait is far from accurate. Cornwallis emerges as a reformer who had deep empathy for those under his authority, and was clear about his obligation to govern justly. He sought to protect the population of Bengal with a constitution of written laws, insisted on Catholic emancipation in Ireland, and recognized the limitations of British power after the American war. Middleton reveals how Cornwallis' rewarding of merit, search for economy, and elimination of corruption helped improve the machinery of British government into the nineteenth century.

Christians often have a complicated relationship with science-especially when it comes to evolution. In recent years there has been an explosion in scientific understanding of evolutionary theory and its implications for human nature. Yet many Christians still see evolution as at best irrelevant to their faith and at worst threatening to it. Is it possible that adopting an evolutionary view of human origins can actually help us cultivate a relationship with God and a holy life? In Embracing Evolution, Matthew Nelson Hill invites readers into a constructive conversation about why contemporary science matters for Christians. Bringing clarity to an often fraught conversation, he provides an accessible overview of evolutionary concepts and takes on common concerns about tensions with Christian theology. He then explores what insights and practical benefits await the Christian who adopts an integrative approach to evolution and Christianity. The more we are aware of the complex milieu of instincts, acquired traits, and environmental influences humans find themselves in, the better equipped we can be to overcome tempting urges and adopt life-giving habits. From food cravings and addictions to altruistic impulses, understanding our biological heritage gives us power to change for the better. What's more, as scientific evidence affirms, the transformation process cannot take place in isolation. Drawing on the work of John Wesley, Hill considers the questions, What kind of community will best encourage individuals to live godly lives, and how do we practically form such communities? At some point, every Christian will have to grapple with scientific evidence related to evolution. Full of stories and real-life examples, this book will help church leaders, small groups, students, and anyone curious about science and faith discover how embracing evolution can assist them toward a fulfilling, virtuous Christian life.

Wars rarely turn out as expected. This book shows how Britain entered a conflict that it believed could not be lost. The American Patriots were similarly optimistic about their martial prospects. Although they eventually secured independence, it was only with the assistance of France and indirectly Spain, who diverted British resources from the conflict in America, allowing France eventually to deliver a knockout blow at Yorktown. This extensive yet accessible exploration into the War of American Independence provides aclear analysis of why this complex conflict occurred and why it ended as it did, revealing the fragile nature of the American Patriot cause. An essential guide for any history student, including those specializing in war/peace studies and the study of international relations, as well the general reader with an interest in the study of war.

As interest in popular music has increased, so the need for better ways of studying it has become more urgent. It is the author's contention that popular music can be properly understood only through an interdisciplinary method, and this book aims to demonstrate this through a critical analysis of issues and approaches in a variety of areas, ranging from the political economy of popular music through its history and ethnography to its semiology, aesthetics and ideology. The focus of the book is on Anglo-American popular music of the last two hundred years, more especially of the 20th century. In Part One the author outlines a "historical map" of this field, offering on the way a constructive critique of existing musical histories, of T.W.Adorno's pessimistic picture of music in 20th century "mass culture", and of various theories of musical production and reproduction in contemporary capitalist societies. Part Two turns to the analysis of popular music, looking in turn at approaches drawn from musicology, from folkloristics, anthropology and cultural studies, from structuralism and semiology, and from aesthetics, ideological analysis and psychoanalysis. Throughout the book the char

For two thousand years, Christians have been intrigued by the somewhat enigmatic "Imago Dei" references in the book of Genesis. Much theological ink has been spilled mulling over the significance and meaning of these words: "Let us make humanity in our image, according to our likeness . . . "
In "The Liberating Image," J. Richard Middleton takes on anew the challenge of interpreting the "Imago Dei." Reflecting on the potential of the "Imago Dei" texts for developing an ethics of power rooted in compassion, he relates its significance to the Christian community's distinct calling in an increasingly violent world.
"The Liberating Image" introduces a relevant, scholarly take on an important Christian doctrine. It will appeal to all Christians seeking to better understand what it means to be made in God's image.